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Participation: 50%-79%
Unique Accidentals: 3-4
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BSG
Praise, my Soul, the King of Heaven (Lauda Anima) (with organ accomp. and newly-composed interlude (at Hauptwerk Doesburg ) and descant!)
BSG
6:56 Est. Play
Time
133 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
Bass 23 17 7 4 100%
Alto Treble 12 0 1 4 76%
Soprano Treble 10 0 1 2 76%
Bass Bass 17 0 4 4 57%
Tenor Treble 10 0 1 4 57%
Descant Treble 9 0 1 4 19%
 
J. S. Bach: Ach, Gott und Herr (per canonem), BWV 714
BSG
1:22 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
 
J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)
BSG
3:40 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
Bass 8 0 1 3 45%
Cello Bass 16 0 3 5 100%
Violin Treble 22 0 7 3 94%
Treble 16 0 3 4 94%
Viola 13 0 2 5 94%
Alto Treble 8 0 2 3 45%
Bass Bass 14 0 1 3 45%
Soprano Treble 7 0 1 5 45%
Tenor Treble 8 0 1 3 45%
 
T.L de Victoria: Eram quasi agnus
BSG
2:19 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 98%
Soprano Treble 14 0 4 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 98%
Soprano Treble 14 0 4 6 98%
Tenor Treble 10 0 2 6 94%
Baritone Bass 12 0 3 6 59%
 
J.S. Bach: Duetto: Gott, du hast es wohl gefüget (BWV 63, #3)
BSG
3:10 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 7 3 100%
Realization Treble 20 57 8 8 100%
Oboe Treble 20 0 8 9 74%
Bass Bass 15 0 3 5 67%
Soprano Treble 17 0 6 7 64%
 
J. S. Bach: Ist Gott versöhnt (BWV 122 #4)
BSG
4:00 Est. Play
Time
62 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 21 0 6 5 100%
Contrabass Bass 21 0 6 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 21 0 6 5 100%
Contrabass Bass 21 0 6 5 100%
Realization Treble 22 39 7 6 98%
Tenor Treble 15 0 3 5 77%
Soprano Treble 18 0 6 6 76%
Alto Treble 12 0 3 5 55%
Viola 11 0 3 4 42%
 
J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)
BSG
9:04 Est. Play
Time
216 Measures
5,056Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Org.
Cto.		 Treble 21 87 7 3 92%
Bass 22 0 6 4 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Org.
Cto.		 Treble 21 87 7 3 92%
Bass 22 0 6 4 100%
Contrabass Bass 22 0 6 4 100%
Vcl Bass 22 0 6 4 100%
Alto Treble 18 0 6 6 91%
Basso Bass 19 0 6 5 86%
Soprano Treble 14 0 4 6 78%
Tenor Treble 14 0 4 5 75%
Trombone Treble 17 1 6 6 53%
Bass 21 8 6 5 57%
Viola 14 0 4 5 46%
Violin
2		 Treble 17 0 6 6 44%
Bassoon Bass 18 0 5 4 41%
Oboe Treble 10 0 3 3 29%
Violin
1		 Treble 9 0 2 1 27%